Paarden Eiland Makes Noise (first two events)
Earlier this year Rowan Smith contacted me to say that he and Ingrid Lee would be coming to SA. They had been collaborating on works such as their piano transcription of a smashed guitar and wanted to make something happen experimental sound wise in Cape Town.
The result has so far been two really cool November events comprising chest rattling exercises in feedback, through deep immersion sound bathing. I was fortunate enough to be part of the launch event and happily subjected the audience to a participative Silent Noise performance, a technique I’ve been using in my teaching.
For upcoming events and video and pics see the Paarden Eiland Concerts website.

For the launch event Ingrid created two feedback experiences, one of them by causing multiple snare drums to sympathetically feed off each other. A deep textural experience which made my chest feel as though it were a snare drum itself. Here Ingrid uses a pair of my Earshells to listen to Dean Henning’s feedback installation Frequency Lumens Place.
Edge of Wrong: 3 acts, 3 drawings
I took my sketchbook along to the Edge of Wrong experimental music festival last night.
So three drawings in response to three acts…
If Walls Could Talk Would They Sing?
In June this year I was approached by Renée Holleman to collaborate on a soundtrack for her upcoming show ‘A Novel in Parts’ at WhatIfTheWorld’s new premises in Woodstock, Cape Town.
The brief she gave me proved to be a great opportunity to explore Woodstock, the neighbourhood Masha and I had just moved into, as well as a useful challenge for my compositional techniques.
This is the final soundtrack:
Woodstock is today primarily a Moslem community with a growing immigrant population from other parts of Africa, but up until the 1940’s it was a Jewish neighbourhood of Lithuanian decent. Renee explained that the show would touch on specific and tangential references to this context, especially as the exhibition was to take place in the old Woodstock Salt River Synagogue complex – the Hebrew Community Hall having been converted into the new gallery premises.
[See more images from the show here.]
She also explained that the soundtrack would need to have a clear link to the current context but also in some way evoke the past – and use sound to achieve this. The starting point would be the location of the exhibition – the Synagogue complex, which had been de-consecrated in the late 1950’s, and had seen a number of other occupants, including a bicycle repair shop and a furniture manufacturer. (more…)
Land of the Underneath
After seeing our performance workshop at Out The Box, Caroline Calburn approached Jori Snell and myself to present a full length version of Land of the Underneath at the Inside Out festival(4-8 Oct in Observatory Cape Town). We agreed and Caroline also offered to help us a little by casting a critical directorial eye (which turned out to be a real life saver!).
So after many late nights and bumping into tin cans (intentionally and unintentionally), Baba Yaga Theatre and Brendon Bussy are proud to present the new, fully enhanced, deliciously noisy and sensory adventure:
Land of the Underneath!
Suitable for 3 years to 100 🙂
In ´Land of the Underneath’ a girl wakes up in a land where nothing is as it appears to be. In this land the not quite ordinary Noise Maker plays his instruments made of what we call ‘trash’, but for him they are magical objects. Together they discover a room full of delicious imagination where stories are born through objects and sounds come alive through playful movement. An interactive play inviting children of all ages to join the two characters on a journey of discovery.
Performance details (more…)
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